Parshat Bo: Enduring Faith

Did the Exodus from Egypt take place during the day or night? The commentaries on parshat Bo find meaning in this ambiguity. It is a symbol of enduring faith through difficult times.

First, God promises to bring the plague against the first-born at around mid-night (“k’chatzot”) after which the people would leave Egypt. Then, God’s promise is fulfilled in the middle of the night (“b’chatzi halayla”). Pharaoh, in response to the suffering, commands Moshe to take the Israelites out in the night. However, Moshe had instructed the people not to leave their homes until the morning. It also states that God took them out of Egypt on “that very day,” understood by some commentaries to mean in full daylight. Light is associated with redemption in rabbinic thought. Bereshit Rabbah understands the words “And there was light,” from the creation story, as “corresponding to the book of Exodus in which Israel emerged from darkness to light.” Daylight brings a new day and with it the potential to reaffirm our faith in God and experience redemption. 

Ramban resolves the ambiguity of the timing of the Exodus as follows: B’nei Yisrael left Egypt in the daytime, so all could see, but the process of geula began at night. Mid-night then is a turning point, when the seeds of potential for redemption begin. This association of midnight as the beginning of the redemption process is reinforced in the midrash about King David, who would learn Torah until midnight (for protection) and from then on sing songs of praise to God. According to this reading, redemption begins even while we experience darkness, when we can’t see clearly or know when the light will begin to rise.

Similarly, Talmud Berakhot praises those who conclude the Shema with sunrise and “juxtapose redemption to prayer.” The image of preparing for redemption from midnight and of standing in prayer before sunrise has carried the Jewish people through periods of darkness before and will carry us through the challenges we face today. Shabbat Shalom – Karen Miller Jackson

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