Naso and Ruth: Modesty & Destiny

In a world that has increasingly lost a sense of boundaries and values in sexual relationships, Parshat Naso and Megillat Ruth offer an important framework for dignity, protection, and empowerment.

In Parshat Naso we encounter the Sotah. Chazal understood that the woman had entered into yichud (seclusion) with another man after having been warned by her husband, and a ritual involving holy water would reveal whether adultery had occurred. Although the Sotah ritual itself was discontinued by Talmudic times, the laws of yichud – prohibiting seclusion with a non-immediate family member of the opposite sex – remain relevant. The Talmud teaches that the concept of yichud was expanded by King David following the tragic rape of his daughter Tamar by her half-brother. Seen in this light, these laws can be understood as safeguards designed to protect human dignity and help prevent abuse.

In the Megilla, Ruth begins as a vulnerable outsider but ultimately emerges as a figure of remarkable strength and empowerment. The Midrash praises her modesty while working in Boaz’s fields. Later, when she approaches a sleeping Boaz at the threshing floor, she acts with restraint, courage, and sensitivity. Ruth becomes a model for the possibility of transformation, regardless of one’s origins. She serves as a tikkun for the sexual promiscuity associated with Moav and for the incestuous relationship from which Moav emerged. Yet Ruth is not passive; when necessary, she takes initiative and embraces her spiritual destiny as a Jewish woman and future mother of royalty.

The Sotah laws highlight the protective value of yichud, while Megillat Ruth presents a vision in which modesty and agency work together, empowering individuals to shape their personal and national destiny. (Dedicated to the memory of the victims of sexual violence on October 7). Shabbat Shalom & Chag sameach! -Karen Miller Jackson


Parshat Beshalach: Engaging Women

How do we imbue our girls with a sense of confidence and self-worth? How do we teach the value of modesty (inward and outward) while encouraging young women to pursue their talents and dreams? How can women feel more connected to communal prayer? Miriam, in parshat Beshalach, provides a model. 

According to Rashi based on the Mekhilta, after the splitting of the sea, Moshe leads the men in singing “az yashir” and Miriam leads the women. Some commentaries understand this to mean that Miriam led the same “az yashir” for the women and the Torah just recorded a shortened version. However, the slight difference in language and other new elements suggests that Miriam’s song was unique and distinct.

First, Moshe says “I will sing (ashira) to God” and Miriam says “Sing (shiru) to God.” In addition to singing, Miriam took a tambourine in her hand and all the women came out after her “betupim u’vimcholot,” with tambourines and dances. Where did they get musical instruments in the middle of the desert? The midrash Mekhilta teaches that the women, while still in Egypt, believed deeply that God would redeem them, and therefore they prepared tambourines, anticipating that they would be celebrating miracles in future. The nation sang a song of gratitude, but the women added a unique element to the song – tupim u’vimcholot, a musical celebration reflecting deep faith. Miriam inspired the women of her generation to find their voices and express themselves in religious life. Following Miriam’s example, by creating opportunities for girls and women to express themselves, the whole Jewish people will be enriched. 

In biblical times, the women’s faith and gratitude were so great that they too wanted to express this in song. Today too, as girls and women are searching for more connection, this model of women alongside men, empowered yet distinctive, can be a source of inspiration in our communities. Shabbat Shalom – Karen Miller Jackson

  • image: The Songs of Joy, James Tissot c. 1896-1902, thejewishmuseum.org